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The Oxford History of Western Music by Christopher H. Gibbs; Richard TaruskinTakes students beyond the "who, what, and when," exploring the "how and why" behind the story of Western MusicNow in its second edition, this text immerses students in the engaging story of the Western musical tradition. By emphasizing the connections among works, both within cultural eras and across time and place, the text goes beyond a basic retelling of the music's history to build students' ability tolisten critically to key works. The Oxford History of Western Music, College Edition is a complete program for building students' understanding and appreciation of the classical canon.
Call Number: ML 160 .T182 2019 (Des Plaines)
Publication Date: 2018-01-16
The Enjoyment of Music by Kristine Forney; Andrew Dell'Antonio; Joseph MachlisThe Enjoyment of Music continues to teach students how to listen and connect to any kind of music. After more than fifty years of successfully preparing students for a lifetime of informed listening, the twelfth edition raises the bar with an expanded repertory of appealing music, an exciting new listening and assessment pedagogy and the richest and most user-friendly online resources available to students today.
Call Number: MT 90 .F67 2015
Publication Date: 2014-09-24
Rockin' the Free World! by Sean KayIn Rockin' the Free World, international relations expert Sean Kay takes readers inside "Bob Dylan's America" and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally. Rockin' the Free World then shows how artists have engaged in advancing change via opportunity and education; domestic and international issue advocacy; and within the recording and broader communications industry. The book is built around primary interviews with prominent American and international performing artists ranging from Rock and Roll Hall of Fame inductees and Grammy winners to regional and local musicians. The interviews include leading industry people, management, journalists, heads of non-profits, and activists. The book concludes with a look at how musical artists have defined the American experience and what that has meant for the world.
Call Number: ML 3918.R63 K39 2017 (Skokie)
Publication Date: 2016-12-29
Emo by Judith May FathallahFor many, the word "emo" calls to mind angsty teenagers, shaggy black haircuts, and skinny jeans. A popular music phenomenon in the early 2000s, emo is short for "emotional hardcore," and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo, with significant implications both for millennial constructs of gender and for contemporary fan studies. First laying out the debate over what emo is, Fathallah walks superfans and newcomers through the culture surrounding thegenre's major bands, including the emo holy trinity: My Chemical Romance, Fall Out Boy, and Panic! At the Disco. Next she examines fans' main mode of participation in the emo subculture--online communities such as LiveJournal, Tumblr, MySpace, and band websites. Taking a hard look at the gender politics that dominated those spaces, she unearths a subculture that simultaneously defines itself by its sensitivity and resistance to traditional forms of masculinity, yet ruthlessly enforces homophobic and sexist standards. Fathallah demonstrates fandom's key role in defining emo as a concept and genre after 2001, with probing insight into its implications for gender constructions through popular music.
Call Number: ML 3918.R63 F38 2020 (Des Plaines)
Publication Date: 2020-11-15
Basic Elements of Music by Michael J. PagliaroBasic Elements of Music introduces readers to a wide range of knowledge essential for a well-rounded understanding of music. This primer surveys the history of music and the composers who made that history; the history of instrument families and how the instruments function; an introduction to the science of sound and sound production; the various types of ensembles; and the fundamentals of music theory, form in music, musical notation, and music vocabulary. Accessible, yet detailed and comprehensive, Michael Pagliaro's handbook is an excellent guide for music lovers, instructors, and students in any music program. As an introduction to music for the layman, a refresher for music teachers planning lessons, or an enrichment source for professional musicians seeking broader music knowledge, this book is an invaluable addition to any library.
Call Number: ML 460 .P3115 2016 (Des Plaines)
Publication Date: 2016-03-25
A History of Western Music by J. Peter Burkholder; Donald Jay Grout; Claude V. PaliscaCombining current scholarship with cutting-edge pedagogy, the Ninth Edition of A History of Western Music is the text that students and professors have trusted for generations. Because listening is central to music history, the new Total Access program provides a full suite of media resources--including an ebook and premium streaming recordings of the entire Norton Anthology of Western Music repertoire--with every new text. Combining thoughtful revisions--particularly to chapters on the twentieth and twenty-first centuries--with exceptional media resources, A History of Western Music provides all the resources that students need in a text that will last a lifetime.
Call Number: ML160 .G872 2014 (Des Plaines)
Publication Date: 2014-04-15
Damaged by Evan RapportDamaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
Publication Date: 2020-11-24
Dolly Parton, Songteller by Dolly Parton (Narrated by)A Recorded Books Audio Original production of songs and stories performed by Dolly herself, Dolly Parton, Songteller: My Life in Lyrics goes beyond the glitz, glamour, and rhinestones to the warmth, heart, and soul of a treasured pop-culture icon. In this exclusive audio performance, the ten-time Grammy Award-winning artist weaves her words with music and memories to give listeners the stories behind the stories of her most cherished songs. And with some 3,000 songs to her credit, Dolly uses her gift for lyrics to connect to people of all genders, generations, and geographies. Showcasing nearly 100 of her most popular songs, including "Jolene," "I Will Always Love You," "9 to 5," and "Coat of Many Colors," to name a few, this one-of-a-kind audio experience delivers answers to fans' most burning questions: How close did Dolly come to singing "I Will Always Love You" as a duet with Elvis? How did she become an actress? And exactly who was Jolene? Dolly Parton, Songteller: My Life in Lyrics is a must-have memoir for fans of country music, music history, and (of course!) Dolly herself.
Publication Date: 2020-11-17
Song and System by Harvey RachlinFrom the first Tin Pan Alley tunes to today's million-view streaming hits, pop songs have been supported and influenced by an increasingly complex industry that feeds audience demand for its ever-evolving supply of hits. Harvey Rachlin investigates how music entered American homes and established a cultural institution that would expand throughout the decades to become a multibillion dollar industry, weaving a history of the evolution of pop music in tandem with the music business. Exploding in the 1950s and '60s with pop stars like Elvis and the Beatles, the music industry used new technologies like television to promote live shows and record releases. More recently, the development of online streaming services has forced the music industry to cultivate new promotion, distribution, copyright, and profit strategies. Pop music and its business have defined our shared cultural history. Song and System: The Making of American Pop Music not only charts the music that we all know and love but also reveals our active participation in its development throughout generations.
Publication Date: 2020-02-27
Understanding Music by N. Alan Clark; Thomas Heflin; Jeffrey Kluball; Elizabeth KramerThe benefits of music in our lives are increasingly acknowledged by researchers and scientist. As human beings, we have taken the existence of music for granted and rarely think critically about music and its purpose. Perhaps for this reason, such critical thinking about music is sometimes perceived as difficult. Understanding Music: Past and Present creates a roadmap from some of the earliest known origins of music to modern day. This linear approach allows the reader to trace the history and evolution of music through the ages. Understanding Music: Past and Present is designed to grow the reader's appreciation of music through improved understanding and listening skills, allowing the reader to develop his or her own informed opinions and express them. Sponsored by eCore: eCore is a collaborative program that supports online core courses for students from twenty-five University System of Georgia colleges and universities. In an effort to decrease out-of-pocket costs for students in higher education, eCore Curriculum & Instruction has made great strides over the last few years to design, develop, and adopt Open Educational Resources into the curriculum offerings. eCore partners with the University of North Georgia Press and Affordable Learning Georgia to provide no-cost and low-cost textbooks and materials to its students. OERs are currently available in most of eCore's twenty-six course offerings, with a goal to implement OERs into 100% of the course offerings.
Publication Date: 2016-01-01
Music and Knowledge by Per DahlFREELY AVAILABLE ONLINE AS OPEN ACCESS BOOK This book illustrates the acquisition of knowledge in a musician's performative practice, and how this can contribute to the development of Artistic Research. Using a broad understanding of 'knowledge, ' the first part of the book presents aspects of the practitioner knowledge a musician develops through daily exercises and performances. Technical and practical skills, creativity and music reading are central topics. Part II describes four different methodologies of knowledge accumulation. First is the hypothetico-deductive method (music as object). Then the author asks, "Where is the musical work?" After an introduction to semiotics, the question that must follow is "Is music a language?" Following up methodologies focusing on intersubjective and contextual topics, the presentation of hermeneutics generates the question "What happens to the music when you are listening?" Being the most subjective, phenomenology is the last methodology to be presented. The question it poses is "Are analysis and interpretation two sides of the same coin?" Artistic research is a new perspective in knowledge acquisition, and the performing artist is the pivot point. The obvious insight positioning music beyond the score is elaborated into a critique of the representational theory as a relevant ontological discourse in music. As an alternative, the potential in embodied meaning theories is discussed through cognitive, linguistic and artistic approaches. Artistic expressions convey the subjective practitioner knowledge based on the difference between the objective sign and the intersubjective expression. This makes music as communication the ultimate topic. In conclusion, understanding the meaning construction and the conditions of artistic content are both of importance in artistic research.
Publication Date: 2017-01-01
Music As Creative Practice by Nicholas CookUntil recently, ideas of creativity in music revolved around composers in garrets and the lone genius. But the last decade has witnessed a sea change: musical creativity is now overwhelmingly thought of in terms of collaboration and real-time performance. Music as Creative Practice is a firstattempt to synthesize both perspectives. It begins by developing the idea that creativity arises out of social interaction-of which making music together is perhaps the clearest possible illustration - and then shows how the same thinking can be applied to the ostensively solitary practices ofcomposition. The book also emphasizes the contextual dimensions of musical creativity, ranging from the prodigy phenomenon, long-term collaborative relationships within and beyond the family, and creative learning to the copyright system that is supposed to incentivize creativity but is widely seenas inhibiting it.Music as Creative Practice encompasses the classical tradition, jazz and popular music, and music emerges as an arena in which changing concepts of creativity - from the old myths about genius to present-day sociocultural theory - can be traced with particular clarity. The perspective of creativitytells us much about music, but the reverse is also true, and this fifth and last instalment of the Studies in Musical Performance as Creative Practice series offers an approach to musical creativity that is attuned to the practices of both music and everyday life.
Each issue examines a single "hot" topic with comments from experts, lawmakers and citizens on all sides of every issue. Includes charts, graphs and sidebar articles -- plus a pro-con feature, a chronology, lengthy bibliographies and a list of contacts.
Database of contemporary social issues with content structured to promote critical-thinking skills. It contains reference book titles, pro and con viewpoint articles, and a variety of periodicals, podcasts, reviewed Web links, images, statistical tables, charts, and graphs.
Careers in Music
The Occupational Outlook Handbook from the U.S. Bureau of Labor Statistics offers information and statistics on careers in many fields.
"Founded in 1955, the Society for Ethnomusicology is a global, interdisciplinary network of individuals and institutions engaged in the study of music across all cultural contexts and historical periods."
"Since 1931, the SGA has fought to protect songwriters, the music they create and their ability to earn a living for themselves and their families. The SGA carries out its mission in three ways: through its music advocacy on Capitol Hill and elsewhere throughout the world; through services to professional and developing songwriters; and through community outreach via the Songwriters Guild of America Foundation."