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Corot, Jean Baptiste Camille. Interrupted Reading. 1870. Art Institute Chicago, https://www.artic.edu/artworks/81512/interrupted-reading.
Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them.
The Birth of Korean Cool reveals how a really uncool country became cool, and how a nation that once banned miniskirts, long hair on men, and rock 'n' roll could come to mass produce boy bands.
...hip-hop burst into mainstream America at a time of immense social change, and became the most dominant musical movement of the last thirty years.
Stacy Wolf illuminates the women of American musical theatre - performers, creators, and characters - from the start of the cold war to the present day, creating a new, feminist history of the genre.
What emerges in My Black Country is "a delightful, inspirational story of persistence, resistance, and sheer love" (Kirkus Reviews, starred review) of this most American of music genres and the radical joy in realizing the power of Black influence on American culture.
No other form could capture the history of the labor movement better than the songs sung in times both bitter and courageous by coal miners and textile workers, railroad men and steelworkers, farmers, seamen, and cow-hands as they worked to supply the nation's needs and as they worked to defeat political and industrial tyranny, child labor, hunger, poverty, and unemployment.
Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapestry, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly line approach to Black genius.
Protest songs have served as anthems regarding war, racism, sexism, ecological destruction, and so many other crucial issues. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk, and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches-- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority--to fight for a fairer world.
Latinx creators compose versions of joy central to social and political struggle and at odds with colonialist and imperialist narratives that equate joy with political docility and a lack of intelligence.
Detailing the influence and achievements of such notable musicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohen explores the intersections of politics, economics, and race, using the roots of American folk music to explore one of the United States' most troubled times.